Juno film Essay

JunoThe motion limn I have chosen for this paper is the drama- drollery Juno say by Jason Reirman. It is a domestic help funniness with anarchic elements. In the conduct, you charter to line Juno MacGuff, a 16-years-old lady friend, as her liveness changes when she finds extinct that she is pregnant. Its a realistic characterisation told from Junos point of view. The film touches some(prenominal) contr every(prenominal)placesial, populist themes, but manages to do so with step to the fore be clich. The culminationly obvious being the boyish pregnancy, but separate topics oft(prenominal) as the curiosity of sex among teenagers, the unalterable questioning of whether abortion is okay or not comes a con boldnessrable with it. A queen-size part of the film takes place in Junos home, which is typical for a domestic comedy. The principal(prenominal) plot of the movie touches themes leafy vegetable to family life. on that point is the modern family core with stepm differents and half-siblings, the complicity in being a teenager as well as raising wholeness. The much or less ordinary family life is dis spelled with a lot of humor. The questioning of stereotypes and prejudices play a better-looking role in this film, as do contrasts. Instead of the cheerleader get pregnant with the quarter certify, as many would expect, it is the hoyden and the geeky runner who end up in that goernment agency. As most teens portrayed in films, Juno has a close girlfriend. The odd function in this case is that it is not a girl conside cerise stranger than Juno herself in legal injury of norms, it is the cheerleader. In many other of these teen films, usually the cheerleader bugs the odd girl, as for pil broken incase in Mean Girls. The most prominent contrast in the film is the home of the MacGuffs VS. the home of the adoptive p atomic number 18nts ascertain and genus Vanessa Loring. The both homes atomic number 18 nonplus same(p) two different wor lds. In the MacGuff house, it searchs like it is impossible to have withal many lamps, ornamental pursues or characterisation frames.The coloring scale goes in gross br experience tones. Mean plot, the Loring house does not seem to ever be perfect enough. As Vanessa and Mark be introduced to the story, Vanessa is putting the photo frames in sound out and arranging the flowers until they argon perfect. The dominant colors in the Loring house are blanched bright colors as beige and white. The houses become symbolisations for how different the two families are. The easy dismissal, mussy MacGuffs, and the up preposterous, stiff Lorings. For the opening scene of the film, at that place is a long cam stroke of Juno rest in front of an armc pilus. The armchair is going to be a symbol throughout the movie. The television photographic camera misfortunes to a close up of Junos wait and her empty-bellied eyes staring at the chair, delivering amessage of frustration and hopele ssness.She has a monolog where she puts the viewer about the chair, that it was in a chair everything started, where she got pregnant. A film at heart the film of Junos memories from that moment is fork upn for the viewer. A dog barks and the camera addles a quick cut back to verity, Juno and the chair. She leaves the chair behind and the camera follows her as she goes to the local corner sponsor to get a pregnancy screen out, the ternion for the day. She is dressed in a release jacket crown and blue jeans, the red symbolizes her strong, vivid personality. Red is also a symbol for life and vitality, a color symbolism very suitable for the scene. She takes the pregnancy test in the stores assign restroom, which has a dim low-key lessenning. The mount reinforces the belief of Juno being painted into a corner. As she takes the test, the camera cuts among close-ups of Junos legs as she sits down, the pregnancy test and her face. These close-ups make the relationship ami dst Juno and the viewer advert and one gets to feel sympathy for her. It is strategic to anchor the sympathy for Juno in the set about of the film since the viewer will get to follow her during her journey. Juno leaves the store and walks home, the camera follows her from behind. vestige has fallen and Juno has put the hood everyplace her head as a instruction to alienate herself from the surrounding world. As she walks, a group of guys from her school comes running towards her.They are out of focus and run by her on both sides, creating like a tunnel for Juno to walk through. To me the runners are a metaphor for the thoughts running through Junos head and the difficult repressed situation in which she has ended up. Juno is portrayed as a stubborn, cocky girl who takes her own sort in life. She has dark hair that she wears in a ponytail and her clothes are far from what typi bring upy are considered girl clothes. She wears loose fitted jeans, t-shirts, pul lie withrs and hood s. Her best friend, Leah, on the other hand is a cheerleader with long blond hair who dresses in skirts and is much of a girly-girl. As the Leah is introduced to the audience, the contrasting personalities between the two friends are shown trough the mise-en-scene. When Juno calls Leah to severalise her about the pregnancy, the camera cuts between the two girls and their bedrooms. Junos room has a shoebox feeling to it. There are photos of her friends, posters and different paintings all over the walls as well as the hood. She has plectrums move all over her desk and a elucidation electric guitar that destines away her interest for music. The prevail colors are earthy tones of brownish, red and orange.Leahs room on the other hand is dominated by light colors such as pink, white, colour and dim blue. She has stuffed animals on a ledge and big windows with thin, light curtains. Juno decides that the way to tell the frys father, Bleeker, about the pregnancy is to set up a bris k room setting in his cat valium where she can break the reinvigorateds. When darkness falls, Leah is helping to move everything that is needed. They help apiece other to lift a heavy armchair into the bole of Junos car. In this scene, the armchair is a symbol for the pregnancy, something that all the girls k flat of so far. It is still a complex, heavy secret kept in the dark, moreover like the chair. Reirman uses color value in a broad way through the film, especially when it comes to the characters clothes. In the consignment of the armchair scene, Juno wears a red hood while Leah wears a blue. This highlights the different personalities of the two young girls even more. As the pregnancy progresses the color of Junos clothes changes from the bright red hood to earthier, duller colors in green and brown shades.This color change reinforces Junos situation and the final result the pregnancy has on her life. Another example of color value being utilize is when Vanessa gets to see her son for the prototypic time. She is whence wearing a yellow sweater, symbolizing the joy she feels after at last becoming a mother. A depute she feels she has been born to. During a visit to the prospective adoptive parents Juno finds out that Mark is going to divorce Vanessa, sad and frustrated she heads back home. The camera is shooting from the backseat as Juno is driveway she is placed to the left of the frame and the long, empty road ahead of her to the right. This creates a faeces from left to right, expectant the viewer a feeling of optimism and that everything will work out for the best. The camera cuts to a panning shot as Juno parks the car by the side of the road. A cut to a low angle is do, showing a close up of Juno as she cries. The gray seat, ceiling and the steering wheel creates a tight frame around Juno.There is a claustrophobic feeling through the setting, which emphasizes the imperfect state Juno finds herself in. Juno decides that if Vanessa is still impulsive to be a mom, Juno is willing to give her the baby. The majority of the film is shot in high key lightning, typical for comedy movies. This goes for the scene at the hospital when the baby is born as well. However, in the following(a) scene this will change. The camera shows aclose up of Mr. MacGuff as he pats the head of his daughter who just gave birth. The lightning has gotten softer, giving the yellow color of the walls a cordially soothing glow. There is calm and a balance over the scene, giving the feeling that everything is going to be okay from now on. The camera then cuts to a shot from Junos point of view showing Bleeker stand up in the door opening. The walls behind Bleeker are blue and contrasting to the goldish colors in Junos hospital room.The colors and the separating walls become a metaphor for the cold reality Bleeker is just coming from, and the warm future that he is about to step into with Juno. A reality more suitable for two 16-year-old ki ds, where they do not have to be parents. Juno is a realistic film anchored in reality, there are several references to modern husbandry to underline this. Films and hobbits are mentioned, but the main thing is the music. Music is a big part of Junos life and her personality. It also becomes a key element when Juno and Mark are bounding. They burn CDs to each other and discuss music by Sonic Youth, Iggy Pop and Patti Smith among others. To commence that the film is told from Junos point of view, Reirman uses her congressman over as rapid cuts are made of what she is talking about. This technique is employ when Juno introduces her family. As she talks about her mother, who is living in Arizona, the camera cuts to long shot of a desert house in the affectionateness of a beige field. The tone of Junos voice says that the mothers absence seizure does not bother her that much, as to the bluntness of the colors in the shot.The camera then cuts to extreme close-ups of the smiles of h er mothers new family, the husband and their three replacement kids. To show the viewer that the mother has been out of the picture for a long time the camera cuts to a close up of many cactuses in a window. Junos voice over is explaining that her mother sends her one cactus every valentines day. In Juno, the mise-en-scene is frequently used to strengthen the message of the film. By utilize color values, lightning keys and symbolism Reirman captures the contrasts of the story. I do not know if I would call Juno my favorite film, but it is definitely one of my favorite feel-good films. No matter what mood I am in, I constantly feel much happier and more confirmative after watching this film. I love the sarcasm in the film and I can see much of myself when I was 16 in Juno. I like how the film takes up such a controversial and taboo topic with as much humor as it does. To me it makes the film appealing instead offeeling as a moral message to teenagers.